I’m taking another brief break from our Women’s History Month theme to report on my viewing of Life, the new big-budget sci-fi/horror movie starring Jake Gyllenhal and Ryan Reynolds. As with Kong: Skull Island, I’m somewhat wary of big-budget horror films, because they tend to play things safe.
For the most part, Life does play things safe, referencing classic films such as Alien and The Thing, without really adding anything new to the genre. Yeah, we get it. There’s an invasive life-form on the ship and it cant be allowed to reach earth. After it kills a few crew members, the best option is to shoot the alien into deep space and send the human survivor back to Earth in an escape pod.
But then…the filmmakers go where few other mainstream filmmakers have gone before. The ending comes out of left field and seems more like something John Carpenter would have filmed while in a bad mood, though even Carpenter isn’t generally this cruel, with the exception of In the Mouth of Madness. The best way I can describe the ending is that it is defeat snatched from the jaws of victory, thanks to some deceptive switcheroo editing reminiscent of The Silence of the Lambs. I wasn’t completely caught off-guard, because things seemed “off” once the escape pod reached Earth, but the big reveal was still something of a gut punch. I was actually pretty repulsed, but walked out of the theater snickering over the misanthropy of it.
Another clue to the final deception is the fact that the trailer itself is deceptive. Entire scenes and pieces of dialogue in the trailer don’t appear in the movie, or appear in altered form. The trailer shows a clean intercept of the rover containing samples of martian soil, whereas the intercept in the film is offscreen and a bit messy. One of the trailers also has dialogue stating that the invasive life-form destroyed civilization on Mars, but there is no mention of a martian civilization in the movie itself. While most of the film doesn’t break new ground, I will recommend it because of the ending alone.