The Dead Zone is getting an audiobook release, and the original timing was sick

No blog about horror in daily life would be complete without at least one discussion of politics, and that’s especially true this election cycle. Not only do both candidates have historically low scores of trustworthiness, the lunatic fringes of society tend to endorse violence as a solution to real or perceived government corruption. This isn’t unique to this election. In 2010, the Tea Party movement received negative coverage for rallies in which at least one protestor carried a sign captioned, “we vote with bullets.” Also consider the screenshot below, posted by a gun-rights extremist:

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This is the stuff that pushes the limits of free speech and causes headaches for threat management professionals.

What seems unique in this election cycle is that one candidate seems to be openly courting extremists and promoting violent rhetoric. Of course, I am referring to Donald Trump’s tacit encouragement of violence against protestors at his rallies, and ominous suggestions that perhaps “2nd Amendment people” could “take care of” Hillary if she wins the presidential election. I suspect that Trump’s rhetoric that the election process itself is rigged would play into extremist ideology supporting domestic terrorism and assassination of political candidates and leaders.

This brings me to The Dead Zone, an early Stephen King novel that, well, kind of does promote the assassination of candidates, if only under the rare circumstances that one has infallible psychic abilities and knows that said candidate will start a nuclear war if elected. The Dead Zone was one of very few Stephen King novels to languish for decades without an audiobook edition. But seemingly in keeping with the zeitgeist of this election season, the folks at Simon and Schuster finally recorded an audio edition, originally to be released on October 25, 2016. Just early enough to complete a listen of the recording before Election Day. Hrmmm…

Some executive must have realized the faux pas just in time, or felt that the current political rhetoric was too heated, because the audiobook release has now been rescheduled for April 4, 2017.

This new release schedule is certainly less controversial and in better taste, and I respect the publisher’s decision to not feed into the current election craziness, but I admit that I’m a bit disappointed in the delay. I was eager to revisit The Dead Zone not because of the assassination subplot, but because the novel’s portrayal of politics was so prescient and appropriate given current events. The Dead Zone‘s villainous candidate, Greg Stillson, is a rather Trumpian character, and even Stephen King himself has acknowledged the similarities via his Twitter. Stillson is a brash, larger-than-life, yet charismatic populist candidate who relies heavily on fear-based rhetoric. He’s also an emotionally unstable narcissist who is destined to obliterate a large part of the human race in a nuclear war. Given Donald Trump’s cavalier remarks about the use of nuclear weapons, it’s easy to make comparisons to King’s character.

In the novel and the film adaptation, there ultimately is no assassination, because Stillson creates his own demise through actions so terrible that he cannot recover as a viable candidate. Only time will tell, but perhaps Trump has finally created his own “Dead Zone Moment” though his “pussygate” remarks to Billy Bush and any number of other offensive televised comments.

Despite the delay in the release, you can still pre-order a copy of The Dead Zone through Audible or Amazon.

Review: The Green Inferno

 

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Eli Roth’s The Green Inferno finally got a theatrical release today. As a fan of Roth’s earlier films Cabin Fever and Hostel, I felt he was long overdue to direct another feature film. As in Hostel, Roth once again explores themes of entitled Americans traveling abroad without a proper understanding of the culture or of the risks involved. This time, a group of student activists are captured and brutalized by the same South American tribe they wanted to save.

Those who have followed prerelease news about The Green Inferno know that it’s inspired by films such as Cannibal Holocaust, and that influence is apparent with some modifications. Most notably, Roth eschewed  scenes of rape and onscreen animal abuse (real or simulated). I found the non-simulated killing of animals in Cannibal Holocaust to be that film’s biggest flaw, so didn’t find its absence in The Green Inferno to be a loss. Roth’s redux of the sub-genre still has plenty of cringe-inducing moments, including a scene in which a screaming activist has his eyes gouged out onscreen, and is then dismembered alive before finally being decapitated. Subsequent scenes of the cannibals flaying and preparing his flesh to eat also prove to be sufficiently nauseating.

Like its predecessors, The Green Inferno depicts the the culture of the first-world colonialists to be just as barbaric as that of the cannibal tribe. But where Roth’s re-interpretation truly shines is in his caustic commentary on modern activism. And it’s one that has personal relevance to me. Had I not spent 15 years of professional and volunteer work in various activist groups and non-profits, I would have found this film to be far too cynical. I’ve seen truly amazing work by people who have a genuine passion to make a difference. And I’ve also met a handful of…the other type. While a detailed description of these experiences would merit a separate post, suffice it to say that I’ve worked with racist “feminists” and smug faux-hippies who took home six-figure incomes while paying full-time direct service staff $17K per year. I’m convinced that most of these activists just wanted the PR or to reassure themselves of their own worth. Some of these unwholesome  exploited workers who were sincere about making a difference, sometime putting those workers’ lives at risk, sometimes endangering the people they purported to serve, and in the process perpetuating the original problem in the process.

Roth created two particularly rotten pseudo-activists, and if there is one complaint I have about this film, it’s the fact that these two characters didn’t receive an appropriate onscreen comeuppance. (Some of my favorite aspects of Hostel were its gleeful revenge scenes and general philosophy of instinct karma.) It’s an interesting choice given the graphic deaths of some of the more likable characters. The Green Inferno is definitely worth checking out, especially if you are a fan of Roth’s earlier work.

 

The Green Inferno is now available on Blu-ray and DVD:
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Featured Artist: Rob Whitus of Drink With the Living Dead

 

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One wonderful thing about horror conventions–aside from meeting my favorite filmmakers–is the opportunity to form friendships with many other excellent people. One such person is Robert Whitus, sole proprietor of Drink With the Living Dead. I met Rob when I first met Andrew Divoff, and Rob had etched custom glassware to promote Andrew’s appearance at the event. Needless to say, I purchased some of his glasses at that event and at subsequent conventions.
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[Pictured above: Rob showing off his glassware at Texas Frightmare Weekend; front and 10407786_861692163872002_3051188219104631080_nback images of limited edition barware adapted from art by Mirthquake and based on the film Wishmaster. Pictured left:limited edition barware adapted from art by Mirthquake and inspired by the films of George Romero.]

 

 

 

 

IMG_3461Rob has collaborated with other artists and brands, including Olivia De Berardinis, Metallica, Rob Zombie, Rue Morgue Magazine, and many others. However, his work isn’t confined to the horror genre and its artists. Rob will also take custom orders and will personalize glassware to suit his customer’s needs, making his work ideal for wedding gifts and other special occasions.

Another thing I like about Rob’s work-aside from the quality of the etching and the glassware itself-is the fact that Rob does EVERY aspect of his business  by himself. Meaning he is the sole proprietor of Drink With the Living Dead, and he is solely responsible for etching his glasses and fulfilling orders. In a culture that is cluttered with corporate jargon about “teamwork” and other equally nauseating metaphors, or that outsources production at the expense of quality, artists such as Rob are a proverbial breath of fresh air.

The official Drink With the Living Dead website is under construction, but you can see other examples of Rob’s work and contact him at his Facebook Page.

Beer Review: Djinn’s Hellabrew

The Djinn’s Hellabrew is a unique beer developed by film actor Andrew Divoff, and named for his malevolent character in the first two Wishmaster movies.

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I first met Andrew at a charity event last year. What an all-around great guy! Andrew is a genuinely kind person who likes to “pay it forward” by fundraising for a variety of good causes. It was a delight to volunteer his second pour of his Hellabrew at the 6th Annual Lake Arrowhead Brewfest. Proceeds benefitted Operation Provider.

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I was fortunate enough to experience both the original Djinn’s Hellabrew (poured at Rock and Shock 2014 near Boston) and the new, modified recipe. While I found the original Hellabrew quite enjoyable, the heat from the habanero peppers could be too intense for some beer enthusiasts. The new beer (served on August 8, 2015) dialed back the heat somewhat, allowing more subtle flavors to come forward. The result is an unique Belgian strong golden ale with a mildly spicy aroma, Persian lime flavor, and a habanero finish that warms the throat, yet dissipates quickly enough to remain refreshing. This pleasantly complex ale can also be served as a “bloody beer” with the addition of a spicy Bloody Mary mix.

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The Hellabrew was a huge success with those in attendance, with many people coming back for multiple refills and stating that it was their favorite beer at the festival. Word of mouth generated so much interest that the kegs were tapped out an hour before the end of the Brewfest. Fingers crossed that this awesome beer gets widespread distribution soon. For information about future distribution of the Djinn’s Hellabrew and future pours, contact Three Marm Brewing, or contact Andrew at his Facebook page.

Horror movie devotional candles

I’ve neglected this blog for far too long, but am back to post some updates about film, horror conventions, and various artists.

To kick off the fun, an artist/filmmaker named Jason Toth has brilliantly combined my love of horror movies and glass-encased devotional candles. These are pure, kitchy fun, but I can also imagine some creative applications in chaos magick.

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Check out his eBay page here:

http://www.ebay.com/usr/totj199?_trksid=p2047675.l2559

Or his Facebook page here:

https://www.facebook.com/jason.toth.338?fref=ts

 

A touch of SILK

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One highlight of 2014 was volunteering at Scream in the Dark film festival, where I first met my good friend Justin Beahm and watched his performance in Rob Himebaugh’s short film SILK. Audience reactions were priceless, by virtue of the film’s cringe-inducing portrayal of female body horror combined with arachnophobia. SILK additionally boasts solid performances, elegant cinematography, and nauseating special effects.

SILK can be watched in its entirety below, but be warned: the content is graphic.

https://vimeo.com/93234973

Movie Review: Come Back to Me (2014)

Paul Leyden’s film Come Back to Me is perhaps one of the most underrated films of 2014. Based on a book by Wrath James White, the film presents a refreshing twist on standard serial killer tropes. The key concept, which Wrath’s novel makes explicit from the prologue, is revealed fairly late in the film adaptation.

Sarah suffers amnesia, nightmares, and blackouts following a car accident. Her neighbor develops an intense, unhealthy interest in her, and she begins having recurring dreams of being murdered. Sarah seeks psychiatric treatment and counseling before ultimately deciding to install a hidden camera in her bedroom in hopes of gaining insight into her sleep disturbances.

Leyden’s screenplay give numerous clues to viewers before revealing the supernatural cause of Sarah’s plight, but even those guess the twist should appreciate the extraordinarily mean-spirited finale.

 

 
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