This was my first year attending a Horrorhound show, and it ranks as one of my top conventions along with Crypticon KC and Rock and Shock. There are bigger shows with more guests, but in my experience, bigger shows are less pleasant for the simple reason that one may end up waiting in line two hours to speak to a guest for all of 30 seconds, and paying $80 (or more) for a single autograph. Then, if you want a photo with a guest, the only option is paying another $100-250 for a professional photo op, in which one is herded through something resembling an assembly line process. Brutally efficient, but basically, one is paying more for less. Perhaps I’m being a bit of a curmudgeon here, because the fans I met at the bigger conventions felt that this was money well spent. If autograph collecting is your thing, and you have the cash, I won’t further besmirch your enjoyment of such venues.
My priorities are a bit different regarding what I look for in a convention experience. Perhaps I was spoiled by my first convention experiences, because I got to spend a significant amount of time with some of the guests, whom I now consider my friends due to our ongoing communication. While I do have a modest collection of autographs, I’m more interested in the various guests as people, and not just for their respective work products. What are autographs compared to getting advice from Andrew Divoff on learning foreign languages (he speaks eight), insight into Ted Raimi’s daily routines for maximal productivity, not to mention guests’ personal stories that are never discussed in interviews? Horrorhound Indianapolis was one of those rare conventions that was big enough to never become dull, but small enough that there were ample opportunities to have extended conversations with guests, several of whom interacted with fans at the hotel bar.
Aside from my friend Andrew Divoff’s appearance, an added bonus was the Wishmaster reunion, which included the film’s director and special effects artist Robert Kurtzman, lead actress Tammy Lauren (her first convention appearance), and supporting actors Tony Todd (best known for his role in Candyman), and Ted Raimi (also of Xena: Warrior Princess and the second season of Ash vs the Evil Dead ). This was my first time meeting Ted Raimi, who was one of the nicest guests I’ve met, but also quite intellectual and a fascinating conversationalist. Other personal highlights included meeting Bernard Rose, the director of Candyman and the criminally underrated Snuff Movie, a smart meta-critique of reality television and digital surveillance; and meeting Piper Laurie (Carrie and many other films), who now has her memoir Learning to Live Out Loud: A Memoir in print and audiobook edition. While most conventions concentrate heavily on films and filmmakers, I was pleased to see many book vendors and authors at the event, including John Everson, author of the outstanding horror novel Nightwhere.
As with all good conventions, there were ample activities aside from celebrity signings. I only attended two panels, both of which were outstanding. The Candyman panel featured some of the most thoughtful discussions of racism, classism, and other social divides. The Wishmaster panel not only had great behind-the-scenes story about that film, but also an odd and hilarious backstory about the casting of actual prostitutes as extras in Ted Raimi’s 1993 film Skinner [VHS]. There was also an ongoing film festival, most of which I missed. However, I made a point of seeing the new Kevin Smith film Yoga Hosers, which is a loose follow-up to his film Tusk. Yoga Hosers follows the two Colleens, who worked as clerks in Tusk. But as the film’ s effects artist Robert Kurtzman stated, despite a few horrific effects and monsters, Yoga Hosers isn’t a horror film at all, but rather more of a teen movie with a lot of smart one-liners. I think fans will enjoy Yoga Hosers if they keep that in mind; it wasn’t at all scary, but I don’t remember the last time I laughed so hard at a screening.
And, of course, there was also the convention-within-the-convention, Maskfest, which showcased an astounding array of masks and other costume accessories. I nearly went home with a set of Maleficent or Black Phillip-style horns, until I considered I have so few opportunities to wear such things.
Even though four days of sleep deprivation from these activities left me broken and beaten upon my return home, Horrorhound Indianapolis is a show I want to attend again!
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