Drawn to the gorgeous box art, Ian Daniels’ The Tarot of Vampyres turned out to be a terrible deck for learning to read tarot cards, but was a wonderful purchase in other respects. The artwork is incredibly sexy, but as one can see from the sample spread below, does not clearly resemble the Rider-Waite archetypes. Some of the symbolism is there, but it’s obtuse.
Fortunately, the companion book, Phantasmagoria, provides in-depth discussions of the illustrations and thorough, uplifting guidance and interpretations for each card, borrowing heavily from Kabbalistic associations and pathworking concepts. For Daniels, vampires are not a symbol of evil, but rather are representative of humanity’s spiritual thirst for communion with the Divine and the Eternal. I recommend reserving readings with this deck for those times in which one has spare time to read the commentary for each card drawn, even if one is an experienced tarot reader.
For this month’s Disturbed Divination feature, I wanted to cover a Christmas or Yule-themed tarot deck. But since I have none in my collection, I’m opting instead to review The Mary-el Tarot: Landscapes of the Abyss, in which Biblical and apocalyptic imagery abounds. This is one of my favorite decks in my collection. Marie White’s cards are simply stunning, and come with an in-depth guidebook detailing each card’s symbolism.
She draws upon the Rider-Waite, Thoth, and Marseille decks with results simultaneously sacred and devilish. My favorite variation in this deck compared to other decks is that the Aces (beginnings) are represented by the Four Heavenly Creatures of the Bible and the 10’s (ending or completion of cycles) are represented by the Four Horsemen of the Apocalypse. It’s a morbid, yet appropriate, touch. The guidebook finds connections between Biblical, Pagan, Qabalistic, mythological, and pop culture concepts. Although somewhat unconventional, this deck is appropriate for beginners and for any tarot-lover.