Tag Archives: picquerism

The Slumber Party Massacre: “sometimes a power drill is just a power drill”

The Slumber Party Massacre franchise is, to my knowledge, the only slasher film series written, directed, and produced by women. Rita Mae Brown, best known for Rubyfruit Jungle,penned the screenplay for the first film.

Upon initial viewing, I tended to agree with Adam Rockoff’s assessment in Going to Pieces: The Rise and Fall of the Slasher Film, 1978-1986 that, “[It’s] a weird brand of feminism indeed which equates a tawdry high school locker room shower scene with any liberation other than that from clothing. . . sometimes a power drill is just a power drill” (p.138). However, upon viewing The Slumber Party Massacre and its sequels years later, I was able to appreciate the more subversive elements of this series. In the original film, women already have androgynous traits, as opposed to becoming more masculine in order to survive. Unlike the standard slasher film formula in which the “slut” dies first, the first victim is actually a female construction worker. Shortly afterward, we are introduced to the main characters in gym class. During the aforementioned tawdry locker room scene, we are privy to their private conversation that includes a mutual obsession with sports and a tendency to objectify attractive boys at their school. Perhaps the killer is threatened by the inherent masculine qualities of these women, rather than being merely a picquerist using a powerdrill as a substitute for his penis. Another key difference is that there is no single Final Girl (as defined by Carol Clover in Men, Women, and Chain Saws: Gender in the Modern Horror Film), but instead a group of young women working together to defeat the maniac.

Like most early 1980s slasher films, Slumber Party Massacre avoided the issue of sexual assault entirely, preferring instead to penetrate women’s bodies with a variety of sharp weapons in an act of symbolic rape. Just look at the film’s cover art if you doubt me on this.This symbolism is more blatant than in other slasher films, as the killer skewers several half-naked young women with his overly phallic power drill while muttering, “It takes a lot of love for a person to do this . . .You know you want it.” It is ultimately no surprise that the survivors symbolically castrate him by chopping off his drill bit (to which he reacts with horror and self-pity) before finally impaling him.

Slumber Party Massacre II is the oddball of the series, a rubber-reality Nightmare on Elm Street knock off with the young women being terrorized by a rock and roll maniac. It’s massively ridiculous, but fun anyway.

“Nice Guy ” Ken is overcompensating for…something

Slumber Party Massacre III is my personal favorite of the series, in which the Nice Guy character is not only the killer, but is literally lacking a penis.

(This post was adapted from an excerpt within my earlier work “Carnage and Carnality: Gender and Corporeality in the Modern Horror Film,” originally published in No Limits! A Journal of Women’s and Gender Studies, 2011, Vol.1.)

 

Review: Understanding Necrophilia

For this edition of Scary Scholarly Saturday, we are going to look at the anthology Understanding Necrophilia: A Global Multidisciplinary Approach, edited by Drs. Lee Mellor, Anil Aggrawal, and Eric Hickey. I’ll admit upfront that I’m biased in my review, because I authored the chapter “Objects of Desire: Necroeroticism in Mainstream Pornography.” I won’t go into detail about my own chapter (you can read the supplemental material here), other than to say that I did my best to ensure that I was the villain this anthology deserved. I’m so pleased and honored that my first print publication is in a collection alongside chapters by those listed above, as well as other personal heroes including Katherine Ramsland, Michael Stone, Louis B. Schlesinger, and my BFF Cody Charette.

In my (biased) opinion, there are no bad chapters in this book. Furthermore, this book is truly the first of its type, due to its multidisciplinary approach to the subject of necrophilia, which tends to be under-studied and under-reported. Many of us presented new research findings, or furthered existing discourse on the subject. I can’t discuss all of the chapters in depth, but will cover a few highlights.

Chapters are grouped by discipline and subject matter, including historical and legal issues, cultural aspects (including depictions in literature and popular culture), etiological models, forensic investigations and treatment, and case studies.

*In “A Wider Shade of Pale” and “Mincing Words,” Lee Mellor examines paraphilias associated with necrophilia. The most important being that he finally lays to rest (pun intended) the idiotic term “necrosadism,” which  has been used to describe acts of piqcuerism and mutilation committed against corpses, and replaces it with a far superior term, “necromutilophilia.”

*In “Laws Pertaining to Necrophilia in the United States,” Dr. Cody Charette conducted a thorough examination of individual state laws un the U.S., debunking some often-misreported laws in the process. It is true that some states have no laws on the books against necrophilia. What I found interesting was the fact that a handful of states have laws containing gendered language that would theoretically allow female necrophiliacs to operate without fear of prosecution.

*Necrosurrealist artist David Gough was commissioned to create a new portrait for this anthology. The resulting piece, Putrefying Venus, is quite stunning.

*Jens Foell and Christopher Patrick discuss brain imaging data of paraphiliacs in “A Neuroscientific Perspective on Morbid Paraphilias.” Unfortunately, there are no brain imaging studies of necrophiliacs specifically, but the authors present a thoughtful discussion of how the existing research applies.

*Anil Aggrawal revisits his proposed typologies of necrophilia, previously outlined in his book Necrophilia: Forensic and Medico-legal Aspects, another book worth reading. I expect his typology to become essential in discussions of necrophilia.

Lastly, I want to point out that Understanding Necrophilia isn’t just a collection of academics and professionals dissecting necrophilia from the outside. This anthology also features an essay by a self-proclaimed necrophile. As a side note though, in my personal observation, successful academics and professionals don’t necessarily stand at a distance from any perversion, if you get my meaning. More than a few of us understand perversions from the inside looking out. But the gesture of including such an essay is unique and further sets this book apart from typical academic anthologies. Understanding Necrophilia further departs from the typical academic publication in that it embraces the fringes of pop culture by its inclusion of a chapter co-authored by Robert Rhine, the creator of Girls and Corpses Magazine.

 

“Objects of Desire” Supplemental Content Now Online

 

_Hustler Dec 1988 necrophiliacs

Cartoon in Hustler (December 1988, p. 108)

As the publication for Understanding Necrophilia swiftly approaches, I decided to publish the supplemental material for my chapter “Objects of Desire” at http://myhorrificlife.com/necrophilia-chapter. If possible, I will expand the image gallery at a later date. Once the anthology becomes available, I will post a review of the other authors’ contributions and a link with information about where to order the book.Needless to say, I am very excited to finally see my research in print.