Shortly after viewing The Mummy (2017), I watched a film with the polar opposite approach. It Comes at Night shows very little horror onscreen, but implies so much. The film centers around an interracial family who have isolated themselves in a remote cabin during a worldwide plague outbreak. The father, Paul, has devised an elaborate set of rules and protocols in order to keep his family safe from the disease, yet it repeatedly finds its way in.
In the opening scene, we see Paul’s wife comforting her sick father, whom Paul then kills and cremates. Later, Paul faces problems from outsiders who may or may not be carrying the plague. Ultimately, Paul’s authoritarianism fails because he has insufficient understanding of the plague and how it is spread. These themes remind me a bit of the Edgar Allan Poe short story “The Masque of the Red Death,” in which a hubristic prince falsely believes he can attain safety through isolation.
It Comes at Night is a tense slow-burn movie that has great atmosphere, but I have to admit that I was disappointed in the abrupt ending. Like other movies with similar pacing, such as The Invitation and The Boy, It Comes at Night culminates in an explosion of violence. Yet at the same time, it sort of fizzles and leaves a lot of questions unanswered. Nonetheless, I recommend it for its pervasive sense of paranoia and dread.